Pointless Metaphor and Facial Stitches: A Confession

November 26, 2010

A confession:

I still laugh when I remember asking my mom if she would consider giving me credit for thinking of some inappropriate act and not doing it or starting to utter some offensive statement and not saying it.

Of course, my mom being my mom – and having lived through so many of my inappropriate acts and statements — was quick to congratulate me on the “thank goodness I won’t have to get called to school again” thing I didn’t do or the “it better not have been your sister who you heard using that word” thing I didn’t say.

That’s why I wanted to share something that I just chose not to do. It reminded me of a particularly trite and unimaginative corner of the world of news and commentary.

Today, President Obama was playing basketball in a gym at Fort McNair in Washington DC, and ended up needing 12 stitches on his lip. It’s beyond a little embarrassing to admit, but when I first heard about the president’s injury, I immediately slipped into metaphor mode, imagining that 12 stitches on the president’s face could either immediately begin or neatly end a commentary of some sort. And before I knew it I was captured by the writer’s demon – you know, the lazy and simplistic and trite demon – the one who whispers in your ear:

“Okay, look what you’ve got. A president struggling to persuade citizens to do difficult things, an opposition elbowing him and trying to make sure that he doesn’t do those things, and 12 stitches on his face from an elbow in a basketball game. Go for it. Connect them all, use the stitches as some sort of metaphor, and you’ll end up with a…..”

End up with what, Steve? Exactly what even minimally significant thing did you think you would end up with?

I knew.

The result would be a pointless piece intended to show off a metaphor (and a trite and sophomoric one at that) rather than words or ideas that ever needed to be said, whispered, muttered or even imagined.

How many words are written and columns composed that begin, not with a compelling idea, but with some cuteness or gimmick in search of an idea? I know that I have written more than a few of them. So here’s what I promise: Whenever an unusual event like a president getting stitches presents itself, along with the inevitable temptation to draw some lame comparison or write some probably unfunny opening sentence, I will immediately turn off my computer and permanently delete anything that somehow made it on to the page. Cuteness arriving unaccompanied by any even minimally important idea will be presumed pointless.

So here I am, nervy enough to ask you to be grateful that I didn’t write something that, at best, would’ve wasted your time and the time of anyone who read it.

Obviously, you’re smart enough not to feel any gratitude, and are probably feeling no small amount of resentment that you even had to read this blog post.

My wonderful mom, on the other hand, will almost certainly congratulate me for the metaphor I didn’t use, the piece I didn’t write, and the facile and pointless connection I didn’t make between 12 stitches and the complexities of presidential politics.


The Mourners From the Tombs of the Dukes of Burgundy

November 26, 2010

New media technology has brought a classic 15th century tomb to life. Breathtaking.

“The Mourners from the tombs of the Dukes of Burgundy are deeply affecting works of art. Beyond their evident visual and narrative qualities, we cannot help but be struck by the emotion they convey as they follow the funeral procession, weeping, praying, singing, lost in thought, giving vent to their grief, or consoling their neighbor. Mourning, they remind us, is a collective experience, common to all people and all moments in history.”

Sophie Jugie, Director, Musée des Beaux-Arts. Dijon


Previous Post

November 13, 2010

A Video Tribute to Ruth Messinger on her 70th Birthday

“I think continually of those who were truly great. The names of those who in their lives fought for life, Who wore at their hearts the fire’s center.”

(Stephen Spender, 1930) 

I know that I am not the only person with a personal pantheon, a small group of people who over the years have inspired me, taught me, and set a standard of ethical and compassionate behavior.

So imagine the thrill of turning on my computer — just moments ago — and finding this video tribute to a woman for over three decades has been one of my most cherished heroes in all matters humane, all matters of conscience. Many of you don’t know Ruth Messinger. Now you will.

In a  culture packed with spin, artifice, angling for advantage, truth-twisting, and superficiality, Ruth Messinger stands  as a rock of authenticity amidst the talkers, the promisers, the deal-makers and all those who let themselves think that their words are enough.

Ruth is. Ruth does.


Great Songs in Film #6: Georges Guétary Sings “I’ll Build a Stairway to Paradise” in Vincente Minnelli’s An American In Paris

October 28, 2010

Vincente Minnelli’s An American In Paris has never been one of my favorites. I can see all the craft and imagination (not to mention my favorite city), and enjoy individual numbers, but I have never really been a fan of the dreamy fantasy style. The film, though, includes a musical number in which the great French cabaret performer Georges Guétary does a fully choreographed nightclub version of George Gershwin’s “I’ll Build a Stairway to Paradise.” (1922)

Toward the end of the number there is a short stretch in which Guétary sings with only  the beat of drums in the background. Amazing.

For many years I imagined Guétary’s interesting, exotic accent was probably unique to one arrondissement or another. Then I found out that he was actually an immigrant from Greece who had been born in Egypt.

It’s wonderful.


Highly Recommended: “The Power of a Bully” by Bruce Shapiro

October 21, 2010

My friend Bruce Shapiro, executive director of Columbia University’s Dart Center on Journalism and Trauma, has written an incredibly perceptive and nuanced essay on how the issue of bullying has been covered by some reporters. It is posted on the Dart Center’s website, a rich source of information about journalism and trauma.

Shapiro insists that “harassment, intimidation and humiliation among children and young adults – whether person-to-person or, more recently, involving the Internet – can inflict deep, enduring and sometimes fatal wounds.”

Bruce looks at everything from journalism ethics to the complexity of causal inference in the social and behavioral sciences. And he  never lets the complexity of the issue obscure his basic commitment to finding compassionate responses and solutions.

I can’t recommend it strongly enough.


Remembering Kathy Fiscus (1945 – 1949)

October 14, 2010

 

As the  eyes of the world focused on the successful rescue of the Chilean miners, I couldn’t stop thinking about an incident many years ago that was probably the first time in the television age that a rescue became the focus of such intense and widespread public attention.

It happened in 1949 in San Marino California, just 10 miles from the Los Angeles suburb where I grew up. I would not be born for several years, but during my childhood simply saying the name “Kathy Fiscus” meant that you would hear all the stories and memories of the girl who was trapped underground.

 In April 1949, three year-old Kathy was walking across a deserted field in the Los Angeles suburb of San Marino when she fell down a water pipe that was 120 feet deep and 14 inches wide.  In what would become a familiar tableau for decades to come,  a crowd of reporters, public safety officials, and onlookers  focused on the hole while rescuers, aided by heavy equipment and witnessed by a crowd of over 10,000 onlookers, desperately attempted to rescue her.  It took two days to reach Kathy, and the entire saga received both local and national news coverage.  She did not survive the fall and likely suffocated quickly from a lack of oxygen.

The Kathy Fiscus incident later became the basis of several books, a film, and even an extended segment in Woody Allen’s film Radio Days. If you have seen Radio Days, you will recall the scene in which a crowd of of radio reporters describe a failed attempt to rescue a young girl named Polly Phelps from an abandoned well.  That scene was an adaptation of the real events that occurred in the case of Kathy Fiscus.

It may not have been clear at the time, but — after the large television audience focused on the attempt to rescue Kathy — critical incidents of all sorts would  increasingly play out in front of television cameras, and be collectively experienced by a public able to watch events unfold in real time.

It’s funny. Watching last night as the last Chilean miner was extracted from the mine, I realized that all the technological change in the world has really not altered the fundamental human desire to watch the successful rescue of someone in peril.   Fate is cheated, and — for a moment at least  — we can delude ourselves into thinking that the tyranny of randomness can sometimes be foiled.

Kathy’s life was not saved, but the impact of that shared experience was such that — even today —  almost anyone in Southern California of a certain age remembers the bright lights on that deserted field.


Sometimes News is So Sad That I Can Hardly Move, Much Less Think of Anything to Say

September 29, 2010

Why?


A Brief, Perceptive Explanation of The Idea of Contemporary Art

September 28, 2010

And by a great director, no less.


College Professors Who Made All the Difference Pt. 1

September 28, 2010

 

This morning I woke up thinking how much I owe to college professors of mine  who – while not knowing it at the time – were teaching me the joy and best values of a profession I would eventually be lucky enough to join.

I have friends who will read this, however, who – if I don’t add the following disclaimer — would surely taunt me for years to come.

Several of these great teachers would have had no reason to expect I would choose their line of work, given my tendency to spend more time in various film school archives and local movie theatres  (not to mention a place called The Bull and Mouth) than in the library. But incompletes aside (all of which were eventually completed) these professors were and are extraordinary in every way.

“The best teacher is the one who suggests rather than dogmatizes, and inspires his listener with the wish to teach himself.”
– Edward Bulwer-Lytton

Don Brown

Bob Epstein

Carl Faber

Robert V. Hine

Josephine Holz

Francine Rabinovitz

Willie Ruff

Ron Takaki


Satirizing the Standard Media Template for Reporting Scientific Findings.

September 27, 2010

A hilarious and dead-on  send up of the standard media template for reporting scientific findings.


Grenades in My Pharmacy: Reclaiming the Concept of Grief

September 26, 2010

This weekend in the Chicago Tribune opinion section, I tell the story of something that happened to me in a local pharmacy.

True.


Stephen Colbert’s Testimony Before House Judiciary Committee

September 24, 2010

This  certainly is strangely riveting. Stephen Colbert testified before congress today in character.

Whether or not you think it is funny, what is fascinating is that the setting creates a situation in which the audience is absolutely uncertain how to react. Great example about how media  and culture  is always created and received in a particular context. And that can make all the difference.

What I like about this is less the routine than the justified send-up of congressional hearings in general, with their  posturing and feigned indignation.  


Randy Newman’s “Harps and Angels” to Be Musical

September 24, 2010

Can’t wait.  And the brilliant Michael McKean too.


Baseball Games and the Culture of Illness

September 24, 2010

Last night I watched a baseball game,


Wanted! Science and Medical Reporting That Can Accurately Interpret Complex, Nuanced Findings

September 20, 2010

Sometimes I worry that my posts keep repeating themselves, and that each time I point out how often well-intentioned reporters botch the  reporting of nuanced scientific findings, I might simply be repeating myself.

But I care about this problem because, each time a story appears with a new scientific or medical finding, an entire community of people dealing with an illness or condition is mobilized and immediately  begins to focus on the new development. 

Ad why not?  Their health, well-being, and lives  might be at stake, not to mention that of their friends and family.

You may not know that the New York Times has been grappling with this very issue for the past month. The issue is Alzheimer’s.

Today, around 2 PM   the public editor of the New York Times posted the latest update to a month-long controversy that started with a story that  first appeared on August 10th.

In this case, the original August 10th story had to do with the hypothesized connection between certain proteins and Alzheimer’s disease.

The Public Editor’s warning?  Beware “the problems that arise when a story or headline couches some development as an absolute – in this case, new research describing a relationship between certain proteins and Alzheimer’s disease.”

Yup, a big problem.


What? Sacha Baron Cohen?

September 17, 2010

It actually makes some sense. I’m just a little touchy about all things Mercury,  being a 30 year member of the fan club and all.


Freddie Mercury (born Farrokh Bulsara) September 5, 1946 – November 24, 1991) Happy Belated 64th Birthday.

September 15, 2010

Was it the edgiest music around?

Not really.  There was a place for all that — Jimi Hendrix, Cream, Stones  Joplin, and, of course, the Lizard King — but every year in and around Freddie Mercury’s birthday, I think about of one of the greatest rock and roll singers ever. Freddie Mercury could walk into the world’s biggest venues — the Wembleys and countless other stadiums — and take ownership, assume command. Concerts in front of 100,000 people became intimate get-togethers for a guy who could be in his element in front of 325,000 people.

Stadium rock is easy to make fun of. Not everyone can command the space. Music is lost amidst the mayhem. I once saw the Beatles do it, but the music was lost in the screams.

Freddie Mercury turned stadium rock into high art. He had a soaring voice. He was backed by incredible musicians. He was flamboyant and joyous. He loved being a “front man.”

And right in the middle of it all, he was gone.

This will always be one of my favorite performances. 

July 13, 1985,  Live Aid, Wembley Stadium, London, England. 


Target Corp., Political Contributions, and the Press

September 14, 2010

Have you heard about the Target controversy?

Here is some background from the Columbia Journalism Revew about  what can happen when corporations with carefully nurtured and protected brands jump into the business of political contributions.


Globalization? How Have You Changed Us? Let Us Count the Ways.

September 12, 2010

Say you are a multi-national corporation and you want to dip into some of  all those  natural  resources and  that yummy  trans-national  cash. 

You find, though, that you are  facing ethical and legal challenges presented by the countries and jurisdictions in which  you want to do businsess.  And – more often than not — you answer in a way that, however  ethically compromised,  keeps the cash flow flowing.

Now it’s Microsoft in Russia.


Too Cool: Scorsese Lists His 15 Favorite Gangster Films

September 10, 2010

Now this is a great list.  Despite leaving out Rififi, The Godfather, and his own Goodfellas.


Reverend Campfire, Media Coverage, and the Social Fabric

September 10, 2010

I’m telling you: This job never gets boring.

Every day offers some new and provocative illustration of the intricate and fascinating role that media and culture play in both weaving and tearing away at our fragile social fabric.

This week’s example came like clockwork, ripe for analysis by all who watch the social parade and all the passing wackos, issues, provocateurs, and even — when we least expect it — occasional voices of reason and clarity.

This week it’s the lunacy of one profoundly disrespectful and incoherent member of the clergy (self-proclaimed) who, gleeful at what is likely the first time anyone other than his dentist has paid attention to the bile coming out of his mouth, is threatening to burn a copy of the holy text of a major world religion.

Look, I know this is a world in which the World Wrestling Federation seems to be the arbiter of rules for civil discourse. Maybe we should simply ignore this nonsense, however hateful. Yet this is a fragile historical moment in which a vile threat by a vile man has found its way into the midst of a social context marked by fear, loathing, raging Islamophobia, and a backdrop of what the eminent Columbia historian Richard Hofstadter once perceptively called ” the paranoid style in American politics.”

And, of course, the whole hateful spectacle is being reported and re-reported by a mass media that, whatever you think of the coverage, has quite correctly gauged the zeitgeist as to the newsworthiness of it all. People do want to hear about Reverend Campfire. The direct intervention of both the President and Secretary of Defense has only heated up the whole noxious brew and made it an even more legitimate news topic.

Which leads to one of the iconic and ultimately unanswerable questions that seems to always come up in media studies: Does all the media scrutiny fuel the frenzy? Or is the frenzy itself a legitimate news topic?

The easy part is the “who causes it?” question. In a complex and crowded 24-hour digital information environment, no one culprit is an easy target. All sorts of individuals and institutions –political, media, corporate — are acting simultaneously, interacting with one another, struggling to promote an image of themselves and their views that supports their interests and agenda. To point to any institution as primarily culpable for a momentary frenzy or panic is to try to make the richly complex, multi-variate process of social and organizational behavior fit into a simple cause and effect model.

You may wish the media had ignored Reverend Campfire and his book-burning threats, and you make think that ignoring him would have ended the whole shebang. But to dismiss this as primarily a media-constructed spectacle is to engage in that great American past time of latching onto the nearest reductionist answer to our latest vexing question.

Like it or not (and I don’t), this is a legitimate news story, deserves media scrutiny, and even reveals a fundamental truth about free society: The social fabric, even when vigilantly supported and protected by constitutionally guaranteed rights and liberties, is always just one rip away from serious damage by a kook like Reverend Campfire.

And that damage can be caused by one, perverse loony-tune who truly seems to be enjoying his ability to elicit a great big national squirm.

Believe me, I’m more than sick of hearing about Reverend Campfire and his three-ring hate-fest.

But maybe the dues we owe for the protection of free expression include being forced to listen to one slightly imbalanced exhibitionist and then having to watch the whole spectacle actively covered by a seemingly obsessed, yet free, press.

If that’s the price, I’m ready to pay.


We Are the Enemy. Not the Water. Not the Wind.

September 3, 2010

 

I was thinking a lot today about Hurricane Earl,  as some of my neighbors in the northeast and Atlantic states made unusually careful preparations for what – at least for now – seems to be a diminishing threat. I didn’t for a moment “pooh-pooh” all the caution, but it summoned memories of  another hurricane and another time.

This summer I made a moving  visit to New Orleans along with a group of talented and dedicated researchers from the Academy for Critical Incident Research at John Jay College of Criminal Justice at the City University of New York. We come from any number of disciplines, yet are all interested in the impact of sudden incidents – from violence to natural disaster to other catastrophes — on  social fabric, on community ties and cohesion, and on individual well-being.

The extraordinarily dedicated people with whom   we met  and spoke  –  activists,  residents, clergy,  officials, doctors,  mental health professionals –  formed  an awe-inspiring critical mass of passion and persistence.  

Today, though, it was all the preparation up here in the northeast for Hurricane Earl that stopped me cold.

People in my neck of the woods freely admit that the Katrina experience remains a  looming cloud, a dark memory that has led many to think more carefully about disaster readiness,  a warning to take news about storms and tornadoes and earthquakes more seriously.

And why not?  Other  than   some amusing types of ” preparation-overkill, ”  (you can see people buying  duct tape in such a frenzy that sometimes I think they are planning to eat it)  all the shopping and planning sometimes seems   more revealing of people’s anxiety than what actually will make them  safer.  But they are preparing.

The problem is that using Katrina to motivate disaster planning masks an absolutely fundamental distinction between most weather-based catastrophes and the unique and tragic events in New Orleans five years ago. 

It was a bad hurricane. A horrible and lethal hurricane.

But it was the failure of the levees  that caused most of the death and destruction, levees that didn’t magically materialize and blow into town,  but levees that – according to a slew of experts along with the informed and unstoppable activists at Levees.org led by Sandy Rosenthal – failed in fifty places due to a combination of poor design, poor construction, too low a safety factor, and levees that simply weren’t high enough. 

I once had a brilliant professor, a distinguished sociologist named Gaye Tuchman, who – among other things – had a profound and deeply held shtick about human agency and action.  Always be aware, she implored us, to look behind language that would seem to attribute social change or calamity to unpreventable weather or randomness. This narrative and this vocabulary,  she warned, denied human agency.  It minimized the individuals and institutions whose   actions could often be found hiding  behind all the talk of water and wind. 

So I am fine with people thinking more carefully about preparation. But when I hear Katrina summoned as a reason for this increased vigilance, I want to ungraciously and angrily yell out:

Yeah, they had a horrible, horrible hurricane. And we may have one too.

But never, ever stop your mental  film of Katrina  at the point when the wind blows and the water flows. That  water and wind may  – in its  almost biblical force  – make for a good Cecil B. DeMille moment, but it also may obscure the almost banal and bureaucratic human actions or inactions that – when combined with the weather – were what really wreaked havoc.

That is why I support and admire enormously the work of Sandy and her dedicated colleagues at Levees.org.   You really should take a look at what they are doing and how they are refusing to accept anything other than a full accounting of what happened when disastrous weather met poor design and construction with unspeakable consequences. The engineering excellence needed to withstand hurricanes in vulnerable locations may have already existed,  but it was nowhere to be seen when the levees gave way in New Orleans.

And — in the event you find yourself touched by a natural disaster — always look at the actions of flesh and blood  people, of  institutions, before you blame wind and water.  The media love the wind and the water and the fire and all the rest of the catastrophic imagery.  Great visuals.  Great painters have  produced seascapes of incredible majesty and beauty.  But, at least right now, I can’t think of any museums exhibiting paintings of city council meetings and Army Core of Engineer planning sessions. Not very scintillating.

Media coverage of engineering and infrastructure, often at the core of supposedly “natural disasters,” does not make for  great visuals. Cement and pumps aren’t  half as sexy as some exhibitionistic anchorman being blown around in his new LL Bean parka.

But that cement and those levees and those canals have more to do with the resulting mayhem than all the drenched and waterlogged reporters in the world.

We are the enemy.

Not the water. Not the wind.


Just When You Thought That News Stories Were Fairly Predictable

August 25, 2010

 

Was the suspect in an anti-Muslim incident a volunteer in a cross-cultural understanding organization?

There must be alot more to this story.


A Surreal Past I Had Completely Forgotten: Remembering the King Cousins

August 25, 2010

 

My friend Dominic — accomplished  filmmaker and animator –  just sent  me the link to the video below. I’m really stunned.

When we remember the past, we use our always selective memory to create a detailed, idiosyncratic picture.   What we sometimes forget is that there are also billions of other people of a certain age who are looking back and remembering the same period of time.

I remember 1969 as a year of excitement, anticipation, and incredible social turmoil.  I was starting my freshman year at UCLA, and still reeling from the previous year of assassinations and  political instability. It was the only time in my life that I wondered whether the social fabric was strong enough to keep society in one piece.

I had completely forgotten that, in the midst of all this social ferment, the television program below was one of the most highly rated on network television. It may be one of the strangest things I’ve ever seen. 

Millions of people watched every week.  Who were these people? What were they thinking? Did they smile? Laugh? Were they eating fondue?


Here We Go Again: The Media Try to Make Sense of New Scientific Research Findings About Chronic Fatigue Syndrome

August 24, 2010

 

One of my most stimulating and enriching affiliations is serving as a senior fellow at Hunter College’s Center for Health Media and Policy (CHMP). Yesterday, in light of the new research findings that seem to suggest a connection between a newly discovered retrovirus and Chronic Fatigue Syndrome, I posted some comments on CHMP’s web site.

Yet again, we are challenged to see new scientific research findings in all their complexity and to avoid media coverage that jumps to conclusions or oversimplifies.

One study, however important, does not settle a complex question.

But if you have any interest in the issue of Chronic Fatigue Syndrome, it’s worth a look.


This is Sadness.

July 16, 2010

Just moments after my last post about my friend Jeff’s adventures in blogosphere transparency, I opened the NY Times and read a story.

And now I need to be transparent. 

I have tears in my eyes and feel sick with sadness. Usually I can distance myself from news just enough to study it and be immersed in it. But I can’t.  Not just now.

Each of us brings a history and a self to our encounters with media and culture, and there are some things I need to share, things that –  no more than ten minutes ago –  I had with me as I started to read the story.

1)  Ten years before I was born, almost an entire generation of my family (8 people) were killed in one horrible traffic accident in Los Angeles. It was many years ago, but the loss has shadowed us for generations. 

 2) Every summer as an adolescent and young adult, I worked as a camp counselor. It was joy.

 3) I have a daughter with mild special needs who has been the beneficiary of some of the most wonderful and dedicated camp counselors and staff members you can imagine.

And now this.

And now this.

I am so sorry.

For the three young people,  for their families, and for the 600 special needs children and adults who will now — as we all do sooner or later —  have to face a  moment of grief, a moment when –without warning — time stops and pain becomes a flood.

In our sleep, pain which cannot forget falls drop by drop upon the heart until, in our own despair, against our will, comes wisdom through the awful grace of God.”     Aeschylus   (525-426 BC)


Here We Go Again: Study Published, Headline Appears, Study Not Read, Mayhem Ensues

July 13, 2010

Here we go again!

1. An article is published in a prestigious medical journal, say JAMA or Lancet.

2. Media coverage reduces what is likely a complex, nuanced article to one headline and several talking points.

3. Public reads the headline , and maybe a couple of the talking points , and — without reading further — applies the headline to their own experience.

4. Public  feels a) confirmed when the headline confirms their experience or b) threatened when it contradicts their experience.

5. Sometimes, without reading further and often without reading the study itself,  the wider public (and sometimes even specialists who should know better) rushes to the cultural barricades to proclaim either the wisdom or fallacy of the study.

6. Lay experts, or those who live with a condition of one kind or another mentioned in the article, speak in support or opposition to the article.

7. Cautious voices urging that the study be carefully read  are drowned out

8. Public conflict rages over findings that people still do not fully understand.

9. Original study setting off this chain of events remains largely unread.

10. People watching this unfold, perhaps people directly affected, become even more confused about whether there is anything they need to do in light of  the study.

11. Eventually a health care professional or first-rate health journalist publishes a careful analysis of what should and should not be safely concluded from the study.

12. This careful analysis remains buried in avalanche of claims and counterclaims that are now driving the public discussion of the study.

I mention this pattern for a simple reason. Perhaps this time, before the battle is fully joined and cacophony is at full volume,  we should read the study ( or read a careful analysis of the study) before we let the frenzy go too far.

I haven’t read it yet, but I will as soon as I am  done with this post.

“Diagnosing and Managing Common Food Allergies – A Systematic Review”
Jennifer J. Schneider Chafen, MD, MS; Sydne J. Newberry, PhD; Marc A. Riedl, MD; Dena M. Bravata, MD, MS; Margaret Maglione, MPP; Marika J. Suttorp, MS; Vandana Sundaram, MPH; Neil M. Paige, MD, MSHS; Ali Towfigh, MD; Benjamin J. Hulley, BS; Paul G. Shekelle, MD, PhD
JAMA. 2010;303[18]:1848-1856.


HPV Virus Connection to Skin Cancer? Problems in Media Reports of Medical Findings

July 13, 2010

 

WedMD has an article about a possible link between the HPV Virus and subsequent diagnoses of squamous cell and basal cell carcinoma. The article reports findings from research published in the British Medical Journal. 

This is a link to the full BMJ research paper which, not surprisingly, reports nuanced and careful findings that cannot be easily translated and simplified.  Among other things, the findings are qualified by the specific type of HPV virus and the specific type of carcinoma.  

And just to show you how perilous it is to reach any medical or scientific conclusion simply from a quick reading of a headline or article title, take a look at the two headlines from WedMD and  from BMJ (British Medical Journal). 

 

  

They seem clear enough. One can easily imagine someone glancing at the headline, registering the finding,  and moving on. The only problem is that farther down in each article, the authors report that people on long-term steroid medications for chronic conditions such as rheumatoid arthritis and asthma are at special higher risk of HPV-associated skin cancer. 

My health science colleagues will almost certainly have quickly realized that these drugs have a mild, immunity-suppressing effect.  In fact, HPVs have already been linked to skin cancer in transplant patients on immune-suppressing therapy and in people with a genetic disease (epidermodysplasia verruciformis) that suppresses immune responses. 

But do you see how quickly a headlined “finding” got more complicated? 

Which leads to an ongoing serious problem: Medical findings, when reported in the quick, brief manner typical of the mass media, are almost never treated with the nuance they deserve. The public reads a headline about an alleged connection between “virus A”  and “heart ailment B”  and almost automatically leaps to a belief in a direct, causal elationship: 

“Oh no, I had virus A so I am going to get heart ailment B!” 

Those of you in the health or social sciences, though, already know where I am headed. The connection might be complex and involve multiple variables. All sorts of other intervening variables might also be at work complicating the possible causal relationship.  

And, while  all of these findings might be clear in the actual research article,  few of them find their way into media coverage. 

In this hypothetical example, it almost certainly would be a very specific genus of virus A and a specific type of heart ailment B. And the connection might only be seen in people of certain ages and even certain ethnic backgrounds.  And the correlation might or might not rise to the level of clear, unambiguous causation. 

This would be just another standard media critique, but something quite serious is at stake. Many news consumers, for good or bad, will be using these findings to reach conclusions and take action. And in the case of health and science news, even highly educated, statistically literate consumers very well might not read the actual research article with all of the qualifications. 

I can’t suggest an easy solution, although I do strongly feel that we need to be concerned about statistical literacy and the place of statistics in everything from elementary to higher education. It is astounding how much news — not only health and science — rests on embedded assumptions about correlation, causation, frequency distributions, variance, and all the rest.   

Armed with such knowledge, people might begin to see that in many cases, the alarming headline they have seen isn’t actually as alarming as they might think. 

Without better statistical literacy, we will continue to be plagued by social panics and anxiety about alleged perils that simply don;t hold up to statistical scrutiny. 

It happens that every guy I know who has gotten a slightly elevated PSA test is also a frequent eater of chicken. But we can’t assume that ……. 

Steve, stop!  They get the point.


Anti-Biopics

July 11, 2010

I can’t wait to see some of these films.

I have been so busy dumping on bio-pics that I seem to have missed a whole tradition of anti-biopics.

Too typical of me: So interested in making a cynical point that I  miss examples that disprove my point.


Tweets From the Firing Squad

June 19, 2010

 

The pervasiveness of Twitter is no longer a story. But the types of people who use it, and the settings from which they tweet, continues to amaze.

This, I admit, is one I never expected.

I am still thinking about how I feel about the tweet and its circumstances. I don’t, though, have to think about the death penalty, which I oppose on every ground that some use to support it.

In fact, the absence of an empirically verifiable deterrent effect of the death penalty on homicide rates was, I think, lesson #1 or #2  in criminology grad school. I don’t know if it was before or after the lesson about the extent to  which the mass media distorts what actual statistics tell us about the frequency and  characteristics of specific types of  crime.


What is News?

June 16, 2010

What is news? What isn’t?  Who makes it? Who doesn’t?

Who produces it? Who doesn’t?

Always virtually impossible questions to answer, they just got even harder.


The Wonderful, Absolutely Unforgettable Ronettes

June 15, 2010

  

Ronnie Spector

Someday I want to try and explain this Ronettes thing.  Seriously. 

For ow, all I can tell you is that, many, many years ago in my adolescence, they overwhelmed and transformed everything I thought I knew about music and excitement.    

The performance below is particularly thrilling because- as far as I know – it is the only time that the wall of sound was so elaborately created by a live orchestra. The genius of conductor and arranger Paul Shaffer is on full and glorious display. 

The wonderful Ronnie Spector is — as always — luminous.  What a  thrill to see Nedra Talley. And a reminder that we will never, ever  forget Estelle Bennet. 

If it’s not your thing, skip to 6:38 for the incredible solo drum introduction to Ronnie’s extraordinary renditon of  “Be My Baby.” 


Still One Extraordinary Live Music Performance: Ronettes Induction Into the Rock and Roll Hall of Fame, 2007

June 15, 2010

 

And still remembering Estelle  Bennet.


Great Songs in Films #5: Chuck Berry’s “You Never Can Tell” (Teenage Wedding) in Quentin Tarantino’s “Pulp Fiction.”

June 14, 2010

 

Chuck Berry, John Travolta, Uma Thurman, and one incredible song. Case closed.


Niall Ferguson Has His Say On the Sudden Collapse of Empire: The Paintings of Thomas Cole

June 7, 2010

 

Several weeks ago, I posted some comments about a 19th-century painting depicting the fall of Rome. I later found out that the painting is part of a well-known five painting series by Thomas Cole entitled  The Course of Empire . Cole, of the Hudson River School, painted the series in the 1830s.

At the time, I was interested in the fact that the painting seemed to compress hundreds of years of decline into one apocalyptic moment. And I noted that much news coverage seems to also focus on the dramatic, apocalyptic moment at the expense of the complex, historical context in which institutions and states decline and, sometimes, collapse.  Social problems developing over time often only become widely visible with the arrival of a calamity.

It actually turns out that the five-painting series depicts a more gradual decline,  and the specific painting of Rome collapsing (above) that I happened upon was the one when everything collapses. It turns out, in other words, that — while  my point about the media’s interest in sudden catastrophe still holds — Cole’s vision was, it turns out, one of incremental decline and loss of an agrarian ideal.

But get this: Yesterday, a reader of Media and Mayhem pointed out  to me that the historian Niall Ferguson, writing recently in Foreign Affairs, was also moved by the same image, and the other paintings in the Cole series, to write about how the public perceives and understands the decline of empires. The articles is called Complexity and Collapse: Empires on the Edge of Chaos.

But Ferguson reaches a very different conclusion. Empires, he says,  are eminently capable of quick and catastrophic collapse.  Things can come apart quickly.  Social scientists are trained to look for long-term cracks and fissures in social structures, but sometimes, he argues,  a cataclysmic ”final-straw”  brings everything tumbling down.

While I’m still pretty certain that media and culture often elevate the visibility of catastrophe and obscure the subtleties of incremental social change, Ferguson’s argument about the fall of empire is intriguing.

And I find it fascinating that he was inspired by the same painting that led me in a different direction.


Sometimes The Onion Gets It Absolutely Right

May 31, 2010

How does public opinion work?   The Onion has a brilliant, if simple, theory.


More Dennis Hopper, And How Could I Forget? “He’s Alive.” Broadcast January 24, 1963.

May 29, 2010

 

My good friend and postwar historian Glenn Speer reminded me of one of Dennis Hopper’s greatest  performances , one that might not immediately be remembered given the focus on his film career. I am embarrassed that I forgot it, because it had an enormous impact on me as an adolescent.

On January 24, 1963, Rod Serling’s Twilight Zone aired an episode entitled ”He’s Alive,” one of  the program’s most famous and controversial episodes, and one of Serling’s favorites. Serling had even hoped to expand it into a feature film.

The problem was that this episode, and many others — while the best things on television at the time — often relied on one plot thread or surprize ending. This could be brilliant in short-form television,  but it is hard to imagine  stretching some of the ideas into feature films.

Dennis Hopper plays the role of Peter Vollmer, an American neo-Nazi inspired by Hitler.

This is the final, shattering  scene featuring Hopper. I f you would like to someday see the entire episode, you probably shouldn’t watch it given the plot spoiler.

Extraordinary. Haunting.

Thanks, Glenn.


Dennis Hopper 1936 – 2010

May 29, 2010

  

 

Bring me any ten nerdy college professors who spent the 60s in graduate school, wandering through libraries, working in politics, or engaging in other similarly dangerous, high risk activities. 

My guess is that at least half of them, maybe  more,  would have chucked it all to be 1/10th as cool as Dennis Hopper. 

We fooled oursleves into thinking that he was the guy our parents wouldn’t let us be.  That even worked as an excuse for a while. 

But the day eventually came — sooner or later — when we admitted  something a little more embarrassing: 

He was the guy we were terrified to be. 

Rest well, Dennis.  There have been movie villains and there have been movie villains. But your brilliant performnace as Frank Booth in Blue Velvet  will always stand alone.


Art Linkletter 1912 – 2010

May 27, 2010

 

Television host Art Linkletter passed away yesterday at the age of 97.

Another chance for me to remember when I wasn’t picked for “Kids Say the Darndest Things.”


Petty the Poet Gets It: Growing Up In SoCal Suburban Drift and Aimlessness

May 27, 2010

 

Southern California. Adolescence. I may never get it. But neither can I forget or escape it.

Miles and miles of sameness. No center. Crowds in which you feel alone.  Strip malls. Driving 20 miles to a launderette.  Crystal cathedrals. Feeling lost when you know exactly where you are.

Petty the poet gets it.



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